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・ Mouvement Franciste
・ Mouvement Jeunes Communistes de France
・ Mouvement laïque québécois
・ Mouvement laïque québécois v Saguenay (City)
・ Mouvement National Congolais
・ Mouvement national des Québécoises et des Québécois
・ Mouvement National Royaliste
・ Mouvement Normand
・ Mouvement pour un cyclisme crédible
・ Mouvement pour une école moderne et ouverte
・ Mouvement Québec français
・ Mouvement Réformateur
・ Mouvement socialiste (Canada)
・ Mouvement socialiste candidates, 1989 Quebec provincial election
・ Mouvement Souveraineté-Association
Mouvements d'Harmonie
・ Mouvements Unis de la Résistance
・ Mouvielo
・ Moux
・ Moux-en-Morvan
・ Mouxy
・ Mouy
・ Mouy-sur-Seine
・ Mouyassue virus
・ Mouyondzi
・ Mouyondzi Airport
・ Mouyondzi District
・ Mouza
・ Mouza Al Malki
・ Mouza bint Suhail Al Khaili


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Mouvements d'Harmonie : ウィキペディア英語版
Mouvements d'Harmonie

''Mouvements d'Harmonie'' op. 29 is a composition in one movement for wind ensemble, written by Graham Waterhouse in 1991, dedicated to William Waterhouse. It was first performed on 24 May 1991 in the Purcell Room, London. The piece was published in 2000 by Accolade, Holzhausen. It was recorded by Endymion in 2002 on a composer portrait CD.
== History ==

Graham Waterhouse scored the work for two oboes, two clarinet, two horns, two bassoons and contra-bassoon or double bass.〔〔 The title plays with the double meaning of both "mouvement" (movement and motion) and "harmonie" (harmony and wind ensemble).〔 The composer dedicated the piece in one movement to his father, the bassoonist William Waterhouse. It was premiered in a concert on his 60th birthday〔 on 24 May 1991 in the Purcell Room, London, by the Royal Northern College Wind Ensemble from the Royal Northern College where William Waterhouse was a professor.〔 The first performance in the US was in 1998 as part of the convention of the International Double Reed Society at the Arizona State University in Tempe, played by ASU Harmonie Ensemble with Henry Skolnick, contrabassoon.〔
The piece was published in 2000 by Accolade.〔 It was recorded in 2002 on a composer portrait CD by Endymion, conducted by Yaron Traub.〔 Reviewer Culot noted: "Waterhouse’s father was the bassoonist William Waterhouse; the sound-world of the wind instrument holds no secret whatsoever for him." and described the work as an ABA structure in "a rather more austere idiom than the works for strings, but nevertheless quite attractive".〔

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